Neil Gaiman's "The Witch's Headstone" is a weird little tale of a boy living in a graveyard, surrounded by ghosts--they are also his teachers and only friends. Garth Nix's "Holly and Iron" is a novel take on the Norman conquest and the Robin Hood legend. "The Ruby Incomparable" is another wonderful tale by Kage Baker, and shares many characters with The Anvil of the World. Jane Yolen's "slipping Sideways Through Eternity" actually plagirizes *herself*, which takes doing (it's a terrible, pat, short-story version of The Devil's Arithmatic). Terry Dowling's "The Magikkers" tells the story of a school for magic--but unlike other magic schools, each student can only perform one piece of true magic. Will they keep it for themselves? Or "share" it with the headmaster? Creepily enough, the latter choice is the one the author favors. Orson Scott Card's "Stonefather" might have been a good story (I liked the world building) except that once again, it's the tale of a young, righteous man who upholds truth, justice and his own personal religion against the thoughtless cruelties of his fellows. In the end, of course the mocking, high-spirited girl says "I'm only a weak-skinned girl" before aquiesscing to be his nurturing mother/wife figure. Yay!